SYNOPSIS:
Three women's lives share a common core: they have all been profoundly affected by adoption. Karen (Annette Bening) had a baby at 14, gave her up at birth, and has been haunted ever since by the daughter she never knew. Elizabeth (Naomi Watts) grew up as an adopted child; she's a bright and ambitious lawyer, but a flinty loner in her personal life. Lucy (Kerry Washington) is just embarking with her husband on the adoption odyssey, looking for a baby to become their own. Also featuring Jimmy Smits and Samuel L. Jackson, this tough minded yet delicate drama brings this ensemble together with both humor and pathos, to reveal the emotional complexity of families lost and found.
REVIEW:
Three mothers in need of a child. Three children, one not yet born. Three lives that are obscurely linked. Rodrigo Garcia has made his career with films sympathetic to the feelings of women, and his MOTHER AND CHILD is so emotionally affecting because it is concerned only with their feelings. The storylines coil and eventually join, but that's just a narrative device. If these characters had no connection, their lives would be equally evocative.
The film is founded on three performances by Annette Bening, Kerry Washington and Naomi Watts. All have rarely been better. Bening plays Karen, a caregiver at work, where she's a physical therapist, and at home, where she cares for her mother (Eileen Ryan). There will be no one to care for her: When she was 14, she gave up a child for adoption, and now she yearns to have that child back. This is not a film about the wisdom of adoption, however, but about Karen's desire for her child.
Kerry Washington plays Lucy, happily married, childless, trying to adopt a child. She finds one she loves, but the baby's birth mother, Ray (Shareeka Epps), is a piece of work. She considers it a seller's market and is fiercely determined that her unborn baby will find a good home with worthy parents. She's more exacting than an adoption agency. Epps is very good, very focused, here.
Naomi Watts is Elizabeth, a lawyer who is concentrated not so much on her career but on her power, and how her sexuality can be a part of that. She goes to work for a Los Angeles law firm and makes it her business to have an affair with Paul, one of the partners (Samuel L. Jackson). She calls the shots, perhaps because she never knew her own parents, and fears a feeling of abandonment.
A quiet, nurturing person at the intersection of these lives is Sister Joanne (Cherry Jones), a nun at a church adoption bureau. She is childless, of course, but content; she accepts her state as part of her service to God and is devoted to her clients. The nun is one of several important supporting characters who give MOTHER AND CHILD richness.
Garcia, whose credits include THINGS YOU CAN TELL JUST BY LOOKING AT HER (2000) and NINE LIVES (2005), has created an interwoven plot not just for the purpose of being clever. Each facet revolves to illuminate the others. The characters reflect aspects of the central dilemma of the childless mothers. It doesn't argue that all mothers require children, and indeed the nun may be the happiest woman here. It simply argues that these mothers believe that they do. rogerebert
