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DIRECTOR:
George Roy Hill

DISTRIBUTOR:
Twentieth Century-Fox Film Corporation

CAST:
Paul Newman, Robert Redford, Katharine Ross, Strother Martin, Cloris Leachman, Jeff Corey, Kenneth Mars, Henry Jones, Ted Cassidy

BUTCH CASSIDY AND THE SUNDANCE KID: USA 1969, digital, color, 110 minutes
SHOWTIMES 8/29-31: 3:00p - SAT/SUN | 7:30p - MON 8/31

WINNER: 2007 Academy Awards, USA for Best Cinematography, Best Writing, Best Musical Score, Best Original Song
WINNER: 2007 Golden Globes, USA: Best Original Score

Paul Newman and Robert Redford played Butch Cassidy and the Sundance Kid, real historical outlaws who led a group of bank and train robbers named the Hole in the Wall Gang. Cassidy was an affable fellow who managed to lead this cutthroat band without ever dirtying his hands with any real violence. His best friend was the Sundance Kid, a ruthless, hot-tempered gunslinger.

Cassidy's easygoing nature was the perfect balance to the Kid's hotheadedness, just as Paul Newman's outgoing performance perfectly complements Redford's taciturn, cool turn as the Kid. Between them is the beautiful Katherine Ross as Etta Place, a schoolteacher who's dating the Kid but who seems to spend an equal amount of time dallying with Butch.

Like any great movie, BUTCH CASSIDY is a collection of unforgettable sequences that proceed in a fashion that always seems fresh -- you never really get the running order of these scenes memorized. There's the sepia-toned opening (which drove many audiences crazy because they feared, in 1969, that the whole movie would be in black-and-white) in which Butch gloomily cases a high-security bank. (Butch: "What happened to the old bank? It was beautiful." Guard: "People kept robbing it." Butch: "That's a small price to play for beauty.")

There's Butch's great confrontation with Hole in the Wall gang member Harvey Logan (the late, great, booming-voiced giant of an actor, Ted Cassidy), which Butch both starts and ends with a stunning kick in the groin. There's the first train robbery, fouled up by an overzealous railway attendant (George Furth) and a loudmouthed matron (Jody Gilbert). And the second, which is interrupted (after a hilarious over-use of dynamite by Cassidy) by the SuperPosse, a group of highly-trained and faceless lawmen who chase Butch and the Kid nearly to death, with the two outlaws bickering all the way until a spectacular jump off a river cliff into rapids.

And that's just the first half of the film, before the pair (and Etta) hightail it to Bolivia where they make an abbreviated attempt to go straight (under the tutelage of the great character actor Strother Martin) and otherwise face life as fish out of water in a country where no one speaks English.

BUTCH CASSIDY alienated some critics with its contemporary feel, abundance of humor and frankly pop-oriented score by Burt Bacharach, but it quickly won over Hollywood and the country, making almost a hundred million dollars domestically and winning four Oscars (for the song "Raindrops Keep Falling on My Head," Burt Bacharach's original score, Conrad Hall's gorgeous cinematography and William Goldman's screenplay), nine British Academy Awards (including Best Picture), a Grammy and a Golden Globe.

It's a film sparked by two fantastic star performances, an impeccable supporting cast (including Jeff Corey, Strother Martin, Kenneth Mars, Henry Jones and Cloris Leachman) and a script by Goldman that trots out one quotable line after another. efilmcritic.com